I currently make work in drawing and sculpture, often using the human figure to understand and express interior life and the dynamic relationship with the external world.

Drawing is the foundational element in my creative process, essential for discovering, documenting, and refining ideas. It allows me to engage with subjects on a tactile level, serving as a method of study, observation, reflection, experimentation, and expression.

Over the past two decades, my practice has spanned various mediums, including painting, printmaking, performance, installation, and design for stage productions such as drag, carnival, theatre, and dance. I’ve contributed to interactive digital media, film, and animation projects. The diversity of these experiences and skills underpin the range of my practice.

My work often focuses on the tension between freedom and security, chaos and comfort. I use personal memories, human and animal forms, carnival, mask and circus imagery to explore themes of escapism, precarity, absurdity, the mysterious essence of childhood experiences. I view art as full of potential for transformation, where the mundane and familiar can spark new behaviours, thoughts, and feelings.